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section heading icon     overview

This profile considers the Washington Post group, including the Post and Newsweek.

It covers -

subsection heading icon     introduction

The Washington Post group, controlled by the Graham family, has around 7,200 employees. Apart from the flagship newspaper, the group has television, print, pulp and other interests.

As of December 2003 its market capitalisation was US$7.8 billion, with annual revenue of US$2.5 billion.

The corporate site is here.

subsection heading icon     the group


The Post was founded in the 1870s as a parochial newspaper aligned with the Democratic Party. At the turn of last century it was acquired by the McLean family, now best known for good living and ownership of the 'jinxed' Hope diamond.

During the 1930s it was bought by corporate financier Eugene Meyer, one of the founders of Allied Chemical, first President of the World Bank and husband of Thomas Mann's patron Agnes Meyer.

Control passed to Meyer's son-in-law Phil Graham and thence to his daughter Katherine. They deserve credit for energising a distinctly provincial publication - the equivalent of Australia's lacklustre Canberra Times - to the extent that it approaches the significance of the New York Times.

For most of last century the Post had no substantial competition in Washington: its owners reinvested in the company and acquired regional newspapers, cable and broadcast television and Newsweek magazine. In 1984 it acquired Kaplan Inc. - a provider of educational and career services for individuals, schools, and businesses. By 2003 Kaplan was the group's second-largest revenue producer.

During the 1970s it led investigations into the Pentagon Papers and Watergate. It is currently controlled by the Graham family, having rebuffed offers from Conrad Black and other magnates.

A chronology of the group is here.

subsection heading icon     Newsweek

Newsweek was launched in 1932 by Thomas Martyn, Time's former foreign news editor in 1923. Martyn raised US$2.25 million startup funding from 120 individual investors, including John Hay Whitney (later owner of the New York Herald Tribune) and Paul Mellon, for News-Week magazine, arguing that "Time is too inaccurate, too superficial, too flippant and imitative".

After burning through its capital News-Week merged with competitor Today in 1937 as Newsweek. Today had been launched in 1933 with support from Vincent Astor and W Averill Harriman. It was edited by Roosevelt brains-truster Raymond Moley and aimed to popularise the New Deal. Under editor Malcolm Muir Newsweek emphasised fact over opinion, a contrast with Time and reflected in reliance on content from the New York Times.

Newsweek was profitable from the early 1940s and enjoyed increasing circulation during the 1950s. Vincent Astor, with a stake of 59%, died in 1959. In 1961 the Post acquired the magazine for US$8,985,000, outbidding an offer from Muir. The Astor Foundation appears to have decided against the approach taken by John Hay Whitney in 'rescuing' the New York Herald Tribune.

subsection heading icon     holdings

The following page identifies major parts of the Washington Post group.

subsection heading icon     studies

David Halberstam's classic The Powers That Be (New York: Knopf 1979) is a picture by the leading US journalist of the Washington Post, CBS, New York Times and LA Times at the peak of the 'television age'.  

It is greatly superior to the more recent Paper Tigers (London: Heinemann 1993) by Nicholas Coleridge, supplying chatty profiles of the Sulzbergers, Rothermeres, Grahams, Coxs, Aga Khans and less prominent nabobs, Michael Wolff's The Autumn of the Moguls (New York: HarperCollins 2003) or Robin Gerbers somewhat syrupy Katherine Graham: The Leadership Journey of An American Icon (New York: Penguin 2005). 

Piers Brendon, in The Life & Death of the Press Barons (London: Secker & Warburg 1982), pronounced the barons dead; we suggest that the species survives and is disguised by better tailors.

Personal History (New York: Vintage 1996) by Katherine Graham is characteristically guarded, albeit less so than the memoir by competitor Sumner Redstone. It is complemented by editor Ben Bradlee's A Good Life: Newspapering & Other Adventures (New York: Touchstone 1996) and Graham's anthology Katharine Graham's Washington: Scenes From a Political Village (New York: Knopf 2002). The only major biography of Meyer is Merlo Pusey's Eugene Meyer (New York: Knopf 1974).

Tom Kelly's The Imperial Post: The Meyers, the Grahams, and the Paper That Rules Washington (New York: Morrow 1983) is not recommended. Howard Bray's The Pillars of the Post: The Making of a News Empire in Washington (New York: Norton 1980) is more impressive.

The insightful, if at times gossipy, Power, Privilege & the Post: The Katherine Graham Story (New York: Seven Stories 1999) by Carol Felsenthal was initially pulped at the request of Ms Graham's lawyers, apparently over its account of happy days within the Graham family. 

David Rudenstine's The Day the Presses Stopped: A History of The Pentagon Papers Case (Berkeley: Uni of California Press 1996) is an excellent introduction to the interplay between bean counters, proprietors, journos and lawyers in dealing with 'national interest' disputes. All the President's Men (New York: Simon & Schuster 1974) is a classic account of the Watergate investigation by Bob Woodward and Carl Bernstein.

The Washington Post: The First 100 Years
(New York: Houghton Mifflin 1977) by Chalmers Roberts is a corporate history, strongly influenced by its role in the downfall of Tricky Dick Nixon. Assessment of that fall might include consultation of David Greenberg's superb Nixon's Shadow: The History of an Image (New York: Norton 2003).

For Newsweek see in particular The Land of Oz (New York: Viking 1980) by former editor Osborne Elliot and The Magazine in America 1741-1990 (New York: Oxford Uni Press 1991) by John Tebbel & Mary Zuckerman.





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