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This profile deals with the Swiss NZZ publishing group, centred on the daily Neue Zürcher Zeitung.

It covers -

subsection heading icon     introduction

The NZZ group traces its origins to the printery established in Zurich in 1519 by Christoph Froschauer. His heirs sold the publishing, printing and bookshop to Conrad Orell and Hans Rudolf Füssli in 1735; the partnership of Orell & Füssli was joined by Salomon Gessner (1730-1788) in 1761. Gessner was a poet, literary critic and artist (now best known for his engravings rather than paintings) who was a leader of the Swiss Enlightenment and an heir to the Gessner printing/publishing business.

In 1780 the partners launched the Zürcher Zeitung under Gessner's editorship as a replacement for the weekly Gessnersche Montagszeitung (1760-1780). In 1821 the journal was renamed the Neue Zürcher Zeitung, under editor-in-chief Paul Usteri (1768-1831). Usteri was an author, doctor and politician who had earlier established the reformist Schweizer Republikaner weekly (1798-1803) with Hans Conrad Escher von der Linth (1767-1823)and the less controversial Magazin für die Botanik and Klio. He served as editor from 1821 to 1831. His grandson served as creator of the Swiss Accident Insurance Institute and served as president of the National Bank before becoming president of the Swiss Confederation.

The Neue Zürcher Zeitung was incorporated in 1868. (Orell Füssli has continued to operate, as a separate entity, and is prominent as a printer - notably of securities, maps and banknotes - and bookseller.)

By 1900 the Neue Zürcher Zeitung had gained recognition of Zurich's - and implicitly Switzerland's - newspaper of record, with a status equivalent to the New York Times and London Times. In contrast to parts of the Swiss press it was strongly critical of both fascism and communism, with editor-in-chief Willy Bretscher (1931-1941) criticising Nazis as responsible for a coming "European catastrophe".

subsection heading icon     studies

For Gessner see John Hibberd's Salomon Gessner: His Creative Achievement and Influence (Cambridge: Cambridge Uni Press 1976)





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version of May 2008
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